Music, in this trio, is not made but manifested. It is “one thing,” because the boundaries-otherwise often invisible-between tradition, avant-garde, popular music, rock are not dismantled but absorbed. This is what the three do: Barbiero, because he thinks drums and percussion as rhythmic but also melodic instruments; Brunod because he manages to integrate chamber lightness with orchestral emphasis and Gallo for metronomic skill in being a soloist-accompanist.